![]() Scorning the lowly is worse than praising the mighty, hence we don't do that.We aren’t impressed by the mighty, even more, we don’t scorn the lowly.Since we know from words of wise men that our precious lives follow their destined course like the rafts following the course of a mighty river, clattering over rocks after a downpour from lightning slashed skies,.Neither we rejoice at life as a pleasure, nor we distress it as a misery.Suffering and relief happen not because of others.Good or evil happen not because of others.Every town is our home town every man is our kinsman.This poem talks about universal thinking, faith, philosophy of life, scientific knowledge and relationship between elders and youngsters of ancient Tamils. This poem is distinguished by the fact that it sings about the truths explored by the sages. The 192 nd Purananuru poem is categorized under Podhuvial thinai and Porunmozhi kanchi. Kaniyan Pungundranar's two songs are compiled as Natrinai (Poem no. Govindan mentions that he was wrongly quoted as Kanibun Kundran ' in some of the texts. Hence he was known as Kaniyan Pungundran. The inscription at Mahibalanpatti temple refers to this place as ' Pungundra Nattu Pungundram'. He was born at Mahibalanpatti in Tirupattur, Sivaganga district. ' Kaniyan' refers to Astrology as he was into Astrology. Yaadhum Oore Yaavarum Kelir harbours a relevant and significant message, but falls short in execution.The name Kaniyan Pungundranar was derived from his profession and his place. Nevertheless, these elements cannot salvage a film lacking a coherent and captivating narrative. Notably, composer Nivas K Prasanna ventures into experimental territory with the background score. The late actor Vivekh, Kaniha, and Megha Akash deliver commendable performances in their respective roles.įrom a technical standpoint, the film demonstrates adequacy. The supporting cast endeavours to make the most of their given roles, yet their characters lack depth and growth. Despite Vijay Sethupathi's sincere performance, the film fails to fully explore the emotional journey of his character. Regrettably, a few scenes appear amateurishly staged, such as the one where Sethupathi recounts his refugee ordeal to Matilda and Jesy. Particularly, the initial half appears somewhat disorganised in its non-linear narrative approach. The film's pacing suffers as the storyline meanders aimlessly, at times failing to build tension and momentum. ![]() While the film occasionally presents moments of clarity, its screenplay becomes entangled in a web of forced and extraneous conflicts and subplots.Ĭonsequently, the journey of our protagonist, in search of his roots and identity, becomes lost amidst this chaotic mire. As the film's protagonist, a refugee, secures a coveted spot in a London music show, we, too, are left grappling with a sense of powerlessness. Yaadhum Oore Yaavarum Kelir fearlessly confronts a pertinent and thought-provoking issue - the identity crisis faced by refugees. Will Punithan succeed in realising his aspirations despite the turmoil of his identity crisis? Within this narrative, Punithan recounts his arduous journey as a refugee, beginning from his early years, intertwined with his resolute aspiration to perform music in the grandeur of London. The second half of the film delves into the true nature of Punithan's character and his relentless pursuit of Kanagarani. However, their harmonious bond is disrupted when Matilda and Jesy, another musician, stumble upon Punithan's true identity, unmasking him as a refugee named Kirubanadhi - a name inscribed on his identification documents. United by their shared love for music, they strive to unravel each other's depths. ![]() Along the way, he encounters Matilda (Megha Akash), a talented musician performing at a renowned local church. Punithan (Vijay Sethupathi), an enigmatic figure concealing his true identity, embarks on a quest to find a person named Kanagarani (Kanniha), employed at a carrot farm in Kodaikanal. While the filmmaker's noble intentions deserve praise, the execution leaves much to be desired. ![]() In Vijay Sethupathi's Yaadhum Oore Yaavarum Kelir, we are introduced to a man embarking on a mission to fulfill his dreams amidst a profound identity crisis. Yaadhum Oore Yaavarum Kelir Movie Review: Rarely do we encounter narratives that delve into the lives of refugees and their profound struggles with identity. Yaadhum Oore Yaavarum Kelir Movie Synopsis: A refugee struggles hard to find an identity for himself in order to accomplish his dreams.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |